B / 單部考慮確實(shí)是MCU最佳從戰(zhàn)時(shí)國(guó)家宣傳手段到現(xiàn)代社會(huì)需要被打倒的符號(hào)東北往事第二季其實(shí)美隊(duì)的身份認(rèn)同一直與意識(shí)形態(tài)國(guó)家機(jī)器存在著極度復(fù)雜的關(guān)聯(lián)身份的真與偽機(jī)械合成與情感記憶可計(jì)算的命定未來與可塑的人性國(guó)家機(jī)器與個(gè)體自主融合個(gè)體戰(zhàn)斗與作為團(tuán)隊(duì)的士兵精神……各種細(xì)碎但高效的文本概念組合輕巧嵌入無時(shí)無刻不縈繞著人物仿佛張弛有度的緊箍咒一般構(gòu)成了心理的動(dòng)勢(shì)對(duì)人物的塑造是如此沉穩(wěn)而敘事又是如此緊湊地壓抑著熱情這恐怕才是現(xiàn)階段漫威單人電影越來越缺乏的東西視聽語言上擁有著現(xiàn)階段MCU幾乎不存在的人物-空間感近身動(dòng)作戲尤其好巴基的幾場(chǎng)戲的剪輯張力十足(鐵壁劃過地面的聲音所拉開的“空間或許是明證)
The very first modern western movie, and the model for all of those to come. The elements of narration and filmography that it sets hold steady until now and probably for still a long time - see Tarantino's hateful eight for their confirmation. Most of the ideas on it are simple, but it takes a master to put the ingredients all in place and to cook something this delicious. Without any obvious main character, but rather a complex mix of persona, each cristallizing a class or a segment of society. This a Western movie to be sure, with all the parts that make up the mechanics, but it is above all a satire. One that is politically engaged too, especially in regards to the banker role.