Body horror is the metaphor for visual pleasure. A critical reflection on where our species are heading if giving no limit to our exploitation of pleasure. However the film itself didn’t escape the fate of being part of the process, and me as the audience who already sat down, had no option of rejecting my role as the consumer of such content.
酒精本身不是邪惡的載體也不是解決生活困境的萬金油但是通過東北往事第二季四個(gè)朋友對生活的悲喜平淡激情都有了新的認(rèn)識雖然Tommy的自殺似乎過度強(qiáng)調(diào)了悲劇色彩但我還是很喜歡結(jié)尾的: a celebration of life是不能沉浸于不作為遺憾的一點(diǎn)是影片并沒有真的揭示到底是什么樣的社會(huì)規(guī)訓(xùn)讓原本活力四射的靈魂禁錮在條條框框中