Shoot down the baddies, strike a pose, get rich! The 2nd movie of the Dollars trilogy could be satirized in these terms, but how unfair would that be? You don’t watch Sergio Leone for deep philosophical insights, but for his filmmaking. For Ennio Morricone’s splendid scores too: he knows when to go silent, how to creep you out with dissonant strings, when to get synchronized and punctuate iconic gestures. He can charm with a chime, and soar into epicness or poise for a showdown. An interesting relationship between the two MC and internal conflicts among conspirators also make for a good story. But it's Maria Volonte as an eerie, brutal, cunning and even sensual villain who shines most.
來自出生那年對千禧年的想象前段的找尋和歌曲都非常悲傷喜歡各種glitchy的影像奇奇怪怪通訊設(shè)備比corporate futurism的科技有意思多了沉迷于自戀太能理解了“In the beginning was the word. In the end, there were only images. 想起Debray的logosphere—graphosphere—videosphere 盯著一人一個的屏幕還有點預(yù)言結(jié)尾還合作了一個過去一年大家熟悉的視頻會議trick(但我覺得夢不可以被影像化